SYNDR v1 offers a broad sonic palette, with over 8600 samples captured from the Synare's self-oscillating filter sine waves, square waves, noise, oscillators with the pitch and/or filter LFO modulated by the square wave, deep resonating filters and more. Each sound was recorded at 8 velocity levels and at multiple decay settings. In order to record with absolute consistency, sounds were triggered via pulses generated by MIDI events in a DAW, directly into an external trigger input retrofitted to the Synare.

• 1.2GB+ Multi-sample Library
• Over 8600 24-bit / 44.1kHz Samples
• Dozens of Drum and Percussion Kits and Menus
• Chromatic Instruments including Basses, Keys, Leads,
  Sequences and more
• 8 Velocity Layers per Note
• Available for Ableton Live 8.3 and up (including Live 9)

• 16 Note Kits have 16 different drum sounds. They are mapped using the General MIDI convention from C1 to B1 (kick, snares, hihats and toms), with additional percussion, FX or other samples from C2 to Eb2.
• Octave Kits have a different, but sympathetic 12 note drum kit (kick, snares, hihats and toms) per octave over a 5 octave range. And because the General MIDI convention is used, you will always know that Kicks are assigned to notes C1, C2, C3, etc, and Claps are on Eb1, Eb2, Eb3, etc, allowing you to create sound variations of a groove simply by transposing sounds to different octaves.
• Switching kits employ your controller's mod wheel, and / or LFOs to crossfade between samples. The resulting instruments offer some of the realtime control capabilities of the original hardware, as well as the capability to randomly morph through different sound sets.
• Menu Programs contain variations of a single sound type based on a single sample category (i.e. Zaps or Noise Hits). There are a wide assortment of menus to choose from, and some sound types are available in mulitple programs, each with different mappings to offer maximum creativity, as well as an efficient way of auditioning sounds when you want to build your own drum kits and instruments.

Chromatic Waveforms

Self-Oscillating Filter Sine Wave

Osc 2 Square Wave

• The majority of the Chromatic Instruments were created with one of two oscillators: the first Oscillator is the Synare's self-oscillating filter which creates a sine wave; the other is the Synare's 'OSC 2' which is a square wave. Both of these Oscillators were sampled chromatically over 5 octaves, with 8 velocity layers per note. These two oscillators were further programmed to get the most out of the sampler's synth engine (filters, envelopes, LFOs, etc...). Sound categories for the chromatic instruments include basses, pianos/keys, lead synths, and percolating sequenced sounds.